There's a lot of genuine science built into the kinetic creations of "Almost Scientific" artist Alan Rorie. That doesn't necessarily mean that his mechanisms comply with the natural laws that govern our world—although they might.

From an early age, Alan Rorie knew that he wanted to study science. So he did. But as he neared completion of his Ph.D., his interest in making art eclipsed his passion for research. But he's found that there's really no separating of the two interests.

The dramatic photo above is a device Rorie called a Neuron Chamber. See it in action in this video:

While his post-graduate training in neurobiology has informed his art, Rorie says he also has found his education as good training for learning the new skills he's needed to develop to create his art.

 Alan Rorie will offer alive demonstration of his  Uira Engine Tuesday evening, Nov. 16 at 6:30 pm as part of the current Mad Science exhibit at the Sonoma County Museum. Here's a preview:

The Icarus Project has become an outspoken advocacy organization for the idea of "radical mental health. Co-founder Jacks McNamara explains how they define that concept.

Radical mental health asks if being "different" is something that requires treatment, or can sometimes be recognized as just a different way of being. need not be seen or treated as a mental illness, argues Artist and poet Jacks McNamara argues that her bi-polar disorder should be seen as a "dangerous gift," something to cherish and to be wary of.

The art and poetry of Jacks McNamara, as well as her personal history as told in her own words, forms the subject matter for the short film, Crooked Beauty, by  Ken Rosenthal. Here is a trailer for the film.

Now that the Icarus Project is eight years old, and well established across the country and beyond, McNamara says she is now turning more of her energies toward nurturing a new class of leaders and advocates to take the organization on to its next level.

 Who could spend three years riding a bicycle completely around the globe without bringing home a wealth of stories. Certainly not Rick Gunn. One of the extended high points of his 25,811 mile trip was cycling along the historic silk road through central Asia, which Gunn enjoyed in the company of a fellow rider he met along the way.

Rick Gunn will present his multi-media Soulcycler program this week at the following North Bay venues

Wednesday, Sept. 8, Sonoma Veterans Hall, Sonoma, 7 pm

Thursday, Sept, 9, Wells Fargo Center for the Arts, Santa Rosa, 7 pm

Friday, Sept. 10, Marin Civic Center Showcase Theater, 7:30 pm. Ticket information for all shows here. Watch a preview below.

Thirty-four years after Christo’s  Running Fence snaked across the North Bay’s coastal landscape into the Pacific, the unique and short-lived artwork is still fondly recalled by most of those who played a part in its creation.

The large and unexpected projects envisioned and executed by Christo and Jeanne-Claude may not fit some conventional definitions of art, says documentary filmmaker Wolfram Hissen, but they certainly strike a chord with a huge number of people.

Some of the friendships that developed during the Running Fence project proved to be deep and enduring, Hissen discovered, despite the broad differences between the artists and the ranchers.

After the Running Fence was taken down, each landowner got to keep the materials that had been part of it. Some used the poles and  hardware in other construction projects, while the thousands of yards of while canvass was generally harder to reuse. One exception ot that was this jacket, made by Amelia Bruhn, and shown at the 33 year anniversary gathering in 2009 that became a substantial part of Wolfram Hissen's new documentary. See the trailer for the film below:

In addition to the showing tonight in Occidental, The Running Fence Revisited will also be screened on the evenings of June 24 and 25 at the Charles M. Schulz Museum in Santa Rosa.